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The Diary of a Northern Belle

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THE LATEST

Floral Garden Bunting Project: a Wrap-Up on the 2023 Stitch-Along

Fall Floral Embroidery Pattern: Calendula Wreath

“Embroideries From an English Garden” by Carol Andrews – Book Review

Historical Designs

Making a Scissor Case With Victorian Embroidery

December 6, 2021      Anne      2 Comments

Back in the spring, I found myself very inspired by strawberries. There were, naturally, too many projects to fit in that season and too little time. One of these hopeful projects had been a scissor case featuring a beautiful Victorian strawberry design. Strawberries may be out of season now, but I’m bringing them back in this unintentionally festive-looking project!

 

scissor case project with historical embroidery

 

I came across a beautiful strawberry pattern while browsing through a Briggs & Co. collection of patterns to transfer from the 1880’s. I immediately thought that it would be perfect to embroider on a scissor case. If you didn’t know, Internet Archive is FULL of historical books about needlework, embroidery, floriography, and so much more! There are some absolute gems to be found there. The Briggs & Co. embroidery designs for transfer are definitely among them.

 

flat lay featuring dried brown sprigs, lace, a pincushion, a mug of foamy drink, a teacup full of embroidery floss, a red bow, an embroidery hoop, and embroidered scissor case in the center

 

The Briggs & Co. Embroidery Patterns

“Universally known” by the 1880’s, these embroidery patterns were all the rage because they were ready to be transferred with an iron “on any fabric” (clearly they did not have polyester felt back in the 1880’s, haha!). This obviously sped up the process and lowered the costs for ladies’ embroidery projects. The particular book I’m referring has a large selection of floral and ecclesiastical patterns, as well as village scenes illustrated by Kate Greenaway. We are big fans of Greenaway here on this blog and I reference her Language of Flowers dictionary often. πŸ˜‰

I absolutely love working with historical designs and knowing that somebody else also embroidered it a long time ago. (I like to imagine a fancy lady sitting at her embroidery frame, flowy skirt billowing about her, and intricate fire-screen shielding her from the fire, while I’m here in my pjs stitching in bed…lol)

The strawberry pattern can be found on p. 37. I’ve adapted it to fit on my case by only transferring part of it, and moving a few elements slightly.

For some reason, I was really set on making the scissor case out of felt, so I had to find a good way to transfer the pattern… Since you know, as fabulous as these patented designs for transfer are, I sadly don’t have access to a physical copy. I love embroidering on felt (although I don’t do it very often) because the needle glides through so easily. It’s not so easy to transfer a pattern on it, however. I decided to give the tissue paper method a try, and it worked SO well! Definitely recommended it if you want to transfer something on felt.

 

Transferring the Pattern…the “old-fashioned way”!

I just used a piece of white tissue paper (the kind for gift-wrapping), and transferred my design on it with a pencil. Then I pinned the paper in place over the felt and started stitching my design right through both felt and paper. It tears a little as you go, but that’s ok! I was able to follow the pattern pretty easily. I only stitched the necessary outlines, leaves, and sepals before pulling the rest of the paper away.

 

tissue paper with transferred embroidery pattern pinned aver hooped piece of felt
close-up view of embroidered strawberry pattern over tissue paper and felt

Lovers of fancy work cannot but remember with a sigh how much money and trouble they have been obliged to expend over their designs in past days. If they wanted a braiding pattern they either had to tack on strips of tissue paper, and after stitching the braid on to pick the paper out laboriously with their fingers […]

Ladies’ Pictorial, May 6th 1882, in Briggs & Co. Patent Transferring Papers.

 

Well, excuse me, Ladies’ Pictorial, but removing the tissue paper was an immensely satisfying step! I used a pin and a pair of tweezers to grab the little pieces of paper stuck under certain parts of the stitching. Now there’s no trace of tissue paper anywhere! Plus, it leaves no visible pencil or water-soluble/heat-erasable pen marks, which is really nice. (I only traced the outline for the scissor case piece in water-soluble ink, and that washed away very easily.)

 

close-up view of strawberry embroidery outline once the tissue paper is removed

And now I feel as though I’ve completely defeated the purpose of using a pattern from genius groundbreaking 19th century innovative embroidery technology, by reverting to the method which these patented transfers were intended to supplant. Oh, dear.

 

Stitching the Design

I kept the stitching very simple for the most part; the stems are done with stem stitch, the leaves and sepals with satin stitch, and the flowers with satin stitch and French knots. I outlined the strawberries with backstitch before filling them with trellis stitch. Needle-painting was quite popular in the 1880s, so it’s very possible that the design was intended to be stitched that way, but I went for a quicker route.

 

view of finished strawberry embroidery on scissor case pocket piece
close-up view of embroidered leaves with satin stitch
close-up view of embroidered strawberry flower

 

For the strawberries, I was partly inspired by a series of posts I saw on Mary Corbet’s Needle n’ Thread. She used some lattice work over satin stitch for one of the strawberries in her sampler. The effect was so lovely and such a good idea for filling a berry! I skipped the satin stitch and just did the lattice work (trellis stitch). I used one strand of gold DMC metallic thread for the little β€œx”s anchoring the lattice. It adds such a nice touch and I love it!

close-up of embroidered strawberry with trellis stitch

 

Making the Scissor Case

I designed the case myself, and it’s 2 very simple pieces designed to hold a pair of small embroidery scissors. I used my 4 1/2″ long stork scissors for reference.

two pieces of scissor case side by side with snips and embroidery floss bobbin
close-up of lace bordering the top of scissor case piece

 

After adding a bit of decorative lace to the top of the pocket piece, I simply laid this piece atop the bigger one. Then I sewed them together with a whipstitch. I used 2 strands of floss instead of sewing thread to create a nice border, and it worked really well! The best thing about felt is that the raw edges don’t fray, so there’s no need to worry about seam allowances and how to finish edges.

finished scissor case over lace background

 

Because I used rather thin felt and the scissors are very pointy even when closed, I reinforced the bottom with a bit of interfacing. (Applied to each case piece before I sewed it together.) And to prevent the scissors from slipping around, I also added a little ribbon to hold them in place with a bow. All I did was poke two holes with a tailor’s awl on the back piece just above the pocket, and thread the ribbon through. When the scissors are in, you can easily tie the ribbon in a bow to hold them in place 😊.

flat lay view of finished scissor case surrounded by dried plants, lace, a red bow, and small copper kettle
flat lay view of embroidered scissor case with dried plants, lace, embroidery hoop and red bow

 

And that’s all there is to it!

It was a pretty quick project, perfect for a day of quiet stitching with warm coffee, watching the snowflakes flurrying outside. The red, green, and gold were a nice festive bonus! On its own the case doesn’t look strictly β€œChristmas” and works year-round, but it was fun to work with holiday colours at this time of year.

I hope you enjoyed this little project and I’d love to hear your thoughts. Do you also have a scissor case? What do you think of the trellis stitch? I can’t wait to stitch another Briggs & Co. embroidery pattern, they’re so beautiful. (And read what other snarky comments such periodicals have to offer!) Again, you can find the book where I found the strawberry pattern here.

 

Fondly,

victorian embroidery scissor case project

Rhododendrons & Flower Symbolism in Rebecca

October 25, 2021      Anne      8 Comments

Hello dear friend! This week on the blog, I have another needlework project to show you paired with a favourite classic novel: Rebecca. Written by Daphne du Maurier, Rebecca gets a lot of recognition as the perfect “spooky, gothic book for fall”. It’s definitely a book you don’t want to miss, and while I could praise its various strong points at length, I’m going to be focusing on flower symbolism in this post. Specifically, the importance of the rhododendrons, and the needlework project that captures the essence of Rebecca.

 

du maurier's rebecca: embroidered azaleas

 

I read Rebecca for the first time last fall, in anticipation of the Netflix film release. I absolutely loved it. Really, truly, absolutely loved every page of it. I can definitely understand why it’s recommended so often, and why so many rave about it. It’s that good.

 

The Book

Set in the 1930’s in England, it follows a newlywed couple as they settle down to their new life together in a country mansion named Manderley. You will hear the name Manderley a lot.  The main character, young Mrs. de Winter, remains oddly anonymous throughout the whole story. You never learn her first name. Her enigmatic husband, Mr. de Winter, is much older than her, and naturally hides many a dark secret. You won’t know what to really make of him. The housekeeper appears to be cold and uncanny, and constantly refers to Mr. de Winter’s first wife, comparing, belittling, driving the new Mrs. de Winter mad with insecurity and jealousy. Rebecca de Winter tragically died in a boating accident, forever upsetting life at Manderley. Things can never go back to how they were.

 

hardcover copy of du Maurier's Rebecca with pearl necklace and cameo brooch draped over the book

 

Throw in a murder mystery, and you have Jane Eyre meets Agatha Christie, and you’re in for a real treat. The writing style of this book is simply superb. Every single sentence is delectable. The attention to detail is astounding, from flower vases to embroidered handkerchiefs to paintings hanging on the wall.

Everything is important. Everything.

And it’s written in a way that simultaneously delights and gives you chills. It’s astounding, I tell you. The Netflix movie was cute, but failed to convey the intense, immersive atmosphere that the book delivers.

I am definitely adding my voice to the thousands who already tell you that this is a perfect October read, fulfilling all your spooky-gothic-vibes desires. And I don’t even like β€œspooky”. It’s just a wonderful book, period, and its dark and gloomy atmosphere is incredibly well-done.

I wrote a review of it on Goodreads as well, so feel free to check it out if you’d like more of my thoughts on it!

 

The Details

As I mentioned earlier, there is an attention to little details that is very particular in this book. It’s haunting, almost, the way seemingly mundane things are given importance. Among these, flowers often come up; it appears the late Mrs. de Winter had a real knack for decorating, and had fresh flowers put in vases every day.

 

hardcover copy of Rebecca with embroidered azalea project and pearl necklace

 

The beautiful flower descriptions abound in this book, but there’s one flower in particular that stands out: the rhododendron.

It’s pretty obvious that flowers (especially rhododendrons) are used symbolically in Rebecca. Many things are used symbolically in Rebecca, in fact. The rhododendrons, flaming red and intrusively imposing, are said to represent Rebecca herself. Indeed, there are many comparisons you can make between Rebecca and the scarlet clusters of rhododendrons.

But what does a rhododendron mean?

 

A Bit of Floriography

If you’ve been around for a bit, you know that I love analyzing flower meanings according to the Language of Flowers, which was extremely popular during the Victorian era. Rebecca was published and set in the 1930’s and I don’t know whether du Maurier would make direct references to it, but since flowers abound in this book and they’re clearly important, I thought it would be fun to see if we can draw any connections at all between the Language of Flowers and how certain flowers are used in Rebecca.

 

close up of embroidered azaleas over opened copy of Rebecca

 

Yes, there they were, blood-red and luscious, as I had seen them the evening before, great bushes of them, massed beneath the open window, encroaching on to the sweep of the drive itself.

Daphne du Maurier, Rebecca

 

Rhododendrons are everywhere around Manderley, crowding the driveway, encroaching over windows, growing uncontrollably big and red. They’re even found inside the house, decorating bowls and vases in the late Mrs. de Winter’s morning-room. Serving as an eternal reminder of Rebecca’s lingering presence, the flaming red flowers seem to suffocate the main character the same way they suffocate the house.

 

Rhododendron = Danger. Beware.

 

flaming red rhododendron bush
Photo by Sean Valentine from Pexels

This seems an incredibly apt significance for this book. One of the first things Mrs. de Winter (present) notices when she first arrives at Manderley are the crowding bushes of scarlet rhododendrons.

 

[…] on either side of us was a wall of colour, blood-red, reaching far above our heads. We were amongst the rhododendrons. There was something bewildering, even shocking, about the suddenness of their discovery.

 

They warn her of the danger ahead, of the nightmare she’s about to go through. They bid her beware that all is not as it seems, that Manderley is full of dangerous secrets.

Danger, danger everywhere, written loud and clear in flaming red flower clusters!

It would seem the symbolism of the rhododendrons in Rebecca matches the Language of Flowers very closely. Let’s look at another passage. The book famously opens with the line:

Last night I dreamt I went to Manderley again.

The main character recounts her dream, in which Manderley seems suffocated by a host of plants.

A lilac had mated with a copper beech, and to bind them yet more closely to one another the malevolent ivy, always an enemy to grace, had thrown her tendrils about the pair and made them prisoners.

 

The lilac has a few different meanings; β€œfirst emotions of love” if purple and β€œyouthful innocence” if white. The beech tree stands for “prosperity”, the ivy signifies “fidelity and marriage”, and its tendrils represent an “assiduousness to please”. All seemingly beautiful and positive things, yet interestingly this opening is clearly meant as a bad omen, a foreshadowing of all the terrible things to come.

We learn soon enough that the main character (who is the narrator) is very young, very naΓ―ve, and very much in love with her new husband. And it is precisely her naΓ―ve love and desire to please that blind her into paranoid fear and nearly wrecks her marriage. Malevolent ivy indeed! Her assiduousness to please, born of her young love and the prosperity she thought she would have as Mrs. de Winter, are all working against her. Suffocated by the rhododendrons.

The white lilac comes up again, as Manderley prepares for its fancy-dress ball. The gardeners β€œbring in the rest of the white lilac” as part of the lavish flower arrangements, and once again the main character’s β€œyouthful innocence” cause her quite a lot of trouble with her unfortunate choice of costume for the ball.

Isn’t it interesting?! It all seems to fit so well!

I could probably analyze every flower passage for days as they are so many that are mentioned and seem important, but I’ll just do one more.

 

Hydrangea = A boaster. Heartlessness.

 

blue hydrangea head
Photo by Rifqi Ramadhan from Pexels

 

Well, if you’ve read the book, you certainly know who that describes.

I noticed for the first time how the hydrangeas were coming into bloom, their blue heads thrusting themselves from the green foliage behind.

 

The hydrangeas appear in the last quarter of the book, replacing the rhododendrons as the months succeed each other. The flaming red clusters make way for the blue heads just as the characters are trying to puzzle out a murder. An important character is at last unmasked, revealed for what they really were: heartless. It would seem the hydrangeas were foreshadowing that too!

I don’t know if du Maurier intentionally referred to the Language of Flowers in her writings, but it certainly was very interesting to analyze the many flowers in Rebecca from that angle! Amazing how the symbolic meanings of floriography lent themselves so well to this book!

 

Needlepainting Project: Azalea Flowers

This needlework project wasn’t stitched with the story in mind since I finished it before reading the book. However, the rhododendrons struck me so much while I read Rebecca that it reminded me of this project. It was my first real needlepainting project, embroidered as part of my Honours project for university.

 

close-up of embroidered azaleas in needlepainting
close-up of embroidered azalea showing needlepainting details

 

I used a feather flower pattern from an 1874 copy of The Young Ladies’ Journal. The feather strokes created perfect guidelines for needlepainting and I really liked the azalea flowers. They’re not flaming red like the rhododendrons in the book, but the contrast of the black background put me in mind of the moody atmosphere in Rebecca.

 

Azalea flowers fall under the rhododendron family, and actually they are mentioned in Rebecca!

On either side of the narrow path stood azaleas and rhododendrons, not blood-coloured like the giants in the drive, but salmon, white, and gold, things of beauty and of grace, drooping their lovely, delicate heads in the soft summer rain.

 

I like to think that my embroidered azaleas are more “things of beauty and of grace” than some dangerous warning, and their colour fits nicely with this passage!

 

Azalea = Temperance

 

A touch of sobriety to a rather tempestuous story, the azaleas serve as a foil to the red rhododendrons, much the same way the two Mrs. de Winter were so different from each other.

 

hardcover copy of Rebecca and azalea embroidery project surrounded by a vintage china teacup and saucer and various jewelry

 

My project seemed to fit this book so well that I couldn’t resist pairing the two and telling you all about it. I’m planning on detailing my project more at length in a future post (this one is long enough already!) and show you more floriography findings (unrelated to this book). In the meantime, have a look at some other posts featuring floriography and classic novels:

 

lilacs of love inspiration from jane eyre
an introduction to floriography
wisteria embroidery inspired by The Enchanted April

Alright, I think that’s enough flower talk from me for one day, but before you go, do tell me -do you prefer rhododendrons or hydrangeas? What do you think of Rebecca? I would love to hear any thoughts on it!

I really hope you’ve enjoyed reading this post and if you find flowers and floriography as lovely and interesting as I do, I’d love to hear from you! Feel free to leave a comment or contact me directly. I wish you all a wonderful week!

 

Fondly,

embroidered flowers inspired by Rebeca
Pin to save for later!

Stitch Book to Practice Embroidery

March 25, 2021      Anne      Leave a Comment

I am so happy to present you my stitch book! It’s like a sort of physical version of the Diary of a Northern Belle. When I first got the idea for this blog name, I knew I’d have to embroider a little something to represent it. When I started the embroidery on the front cover, I intended it to cover the box I used in the Redwork Box Project. Then I thought it would be more appropriate to turn it into a little β€œdiary” of sorts. A place where I could store pieces of fabric with practice stitches and half-finished projects. I had been meaning to sew myself a little book to practice stitches for a while now, but none of the styles I came across suited me. So I had to make my own! 

angled view of the finished stitch book, closed, showing the embroidered cover

The embroidery on the front cover features one of those vintage β€œSouthern belle” ladies.  Except this particular one is northern, of course. πŸ˜‰ There is also historical edging taken from an 1860s pattern, as well as some of my own design. My northern belle needed a pile of books and a warm cup of tea. And of course, adding titles and quotes always ties everything nicely together!

flat lay of the embroidered front cover of the stitch book, featuring a "Sounthern belle" lady on a bench with books and a cup of tea beside her, grass at her feet, and the words "Diary of a Northern Belle" stitched in cursive above her. In all four corners of the cover are stitched little red berries surrounded by a white scalloped edge.

close up view of the front cover embroidery; title "The Diary of a Northern Belle" stitched to represent cursive letters; the head of the Southern Belle lady, and the little berries decorating the two upper corners

The vintage pattern I used can be found here.

 

Touches of Historical Embroidery

The little branches of red berries found on all four corners of the front cover, and on the two upper corners of the left inside cover were taken from the embroidery section of the Ladies’ Handbook of Fancy and Ornamental Work. The copy I have is a 2016 unabridged reproduction of the collection by Florence Hartley. It was originally published in 1889 and features directions and patterns from the American Civil War era.

cover of "The Ladies' Handbook of Fancy and Ornamental Work" by Florence Hartley

The little berries can be found on p. 131, labeled β€œedging”. Edging patterns were used to add needleworked embellishment on various items such as handkerchiefs, collars, or skirt hems.

view of open page from the Ladies' Handbook showing the edging pattern used for the little berry motif

I really wanted to decorate the corners of my stitch book cover. So, I decided to embroider only one of the little motifs in each corner, and I really like the outcome! A full row would also look super cute, maybe around sleeve cuffs or a skirt hem.

close up view of the embroidered cherry motif

I actually contemplated embroidering a row of the little cherries on the right inside pocket. However, since the background fabric of the inside cover already featured very similar little berries, I thought it would be just a little too similar. I opted for the edging pattern on the same page that’s right above. It also looks like a berry, but is different enough from the fabric print.

closer view of edging patterns in the Ladies' Handbook to show the one that will be embroidered on the stitch book's left inside pocket

I decided to stitch the edging with colours that matched the background fabric of the inside cover. By making the berry white, it doesn’t so much look like a berry anymore.

close up of embroidered border on the inside pocket, featuring an edging pattern stitched in white and blue using Perle cotton thread

I’m also quite pleased with how it turned out, aside from the dramatic angle it took because I apparently can’t follow a straight line…. But the embroidery itself turned out quite well, I think! I tried Perle Cotton thread (no. 5, white) for the first time and I must say I rather like it. I’ve since been looking for a new project where I could use it in order to justify buying more. It gives it a sort of crocheted baby-blanket look, if that makes any sense at all.

view of open stitch book showing the embroidered border on the left inside pocket

The Ladies’ Handbook is a great resource so far, including patterns and instructions for various kinds of needlework. The embroidery section features a lot of detailed handkerchief borders and beautiful flower designs. I will definitely have recourse to it again in the future!

Embroidery Stitches

Specific instructions or stitch suggestions as to how to work the edging patterns are not provided in the Ladies’ Handbook. I decided to keep it fairly simple for this project. With the exception of the little hedgehog on the inside left pocket, the red berries, and some elements of the border on the right pocket, everything is done in outline stitches.  I mainly used the split and back stitches.

close-up of embroidered northern belle seated on a bench to showcase various stitches like the backstitch, splitstich, stem stitch and straight stitch

close-up of embroidered 1860s motif depicting a cherry branch, highlighting French knots, satin stitch, and lazy-daisy stitches

Some of the detail elements are done in satin stitch, lazy-daisy and French knots (which I plan on providing a tutorial for very soon). I’ve also used straight stitches for the grass on the front cover and the pine needles on the inside left pocket.

view of embroidered right pocket, featuring a pine branch with pinecones, and a little hedgehog

close up view of embroidered pine branch with pinecones

The little hedgehog and the pine branch emerged from little sketches I made. I kept being drawn to little woodland creatures and autumny, woodsy things while planning the project and wanted to find a way to incorporate some of them into the overall design. I worked the hedgehog in a sort of very unofficial needlepainting method with long & short stitches that didn’t always end up where I wanted them…

closer view of embroidered hedgehog

…but in the end it didn’t turn out too bad and I’m very happy with it!! <3

 

Making the Stitch Book

When I first got the idea of making a stitch book to practice my embroidery stitches, I knew that it would need β€œpages” of fabric to practice and experiment with stitches, but I didn’t want them to be attached to the book. I wanted to be able to add and remove them as I needed. That way, it’s much easier to mount a single piece of fabric onto the embroidery hoop rather than a piece of fabric attached to the stitch book. I also didn’t want all the pages to be predetermined and I wanted to be able to easily add new ones without having to sew them in each time.

open view of stitch book, showing dark blue ribbon threaded through book "spine"

So my solution to that was simply to thread a piece ribbon through the β€œspine” of the book. By tying it in a bow, I can easily add and remove fabric pages. 

flat lay view of open stitch book showing fabric pages attached to ribbon closure

And it works for attaching a fabric page of any size that isn’t overly bigger than the book itself, because smaller pages can be threaded through only one end of the ribbon and still remain attached.

close up view of open stitch book showing a small fabric page attached to ribbon closure

Plus, there are the two inside pockets too, if I need to stuff smaller bits or carry my snips and some floss.

flat lay view of open stitch pocket to show both left and right side pockets

The construction process was overall pretty simple. I did a bit of piecework on the front cover to frame the embroidery, and I used fusible interfacing to stiffen both the front and back covers, as well as the spine. The ribbon closure on the side keeps the book closed and matches the one on the inside.

flat lay view of front cover and small fabric pieces used to frame the main embroidery

flat lay view of various fabric pieces used for making the stitch book; front cover, back cover, pocket pieces

view of fabric pieces being assembled to form outside of stitch book; front cover, spine, and back cover
Adding an extra piece of fabric as a “spine” so it will close nicely and there will be room for fabric pages.
front and back covers with fusible interfacing
Front and back covers reinforced with fusible interfacing on the wrong side of the fabric.
close up view of closed stitched book featuring the side ribbon closure
Stitchbook opens and closes with another piece of ribbon πŸ™‚

Originally, I had intended to make a tutorial post on how I made this stitch book, but there ended up being a little too much improvisation here and there, as well as mad scrambling around for fabric scraps. So I decided to save that for another time when I inevitably make another one, if it’s something that would interest you. Don’t hesitate to let me know in the comments!

flat lay view of closed stitchbook showing embroidered front cover. Stitchbook is surrounded by pinecone props and other dried flowers, as well as winded red floss and red autumn leaves
Finished dimensions are 8” x 9”, a little bit bigger than your average book or journal.

flat lay view of closed stitch book showing the back cover

Thanks so much for reading, and I hope this was at least a bit inspirational! 😊 I’m looking forward to filling my new little book with all sorts of fun stitches!

Fondly,

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photo of Anne-Marie from The Diary of a Northern Belle

Hello I'm Anne! Welcome to my little corner of the Internet where I share my passion for hand embroidery with you through tutorials and patterns. I hope that you enjoy browsing and leave with some new inspiration!

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~ Diary of a Northern Belle

Northern Belle Atelier is taking a break πŸŒΈπŸ’– Northern Belle Atelier is taking a break πŸŒΈπŸ’–

Today (Feb. 09th) is the last day to place your order for any physical items in my shop (kits, needle minders, or finished works). I will be removing the listings over the weekend. PDF patterns will remain available for now, but they may be taken down at any time (so if you've had your eye on one, I suggest grabbing it before they're gone! πŸ₯°).

I will also be tuning off Instagram in the coming days, but you can still reach me via my business emails if you need. My blog will remain up for the time being. πŸ’•

Thank you ever so much for all the support you've shown my little business since I began sharing my embroidery here! It has meant so much to me to be able to do this, even if just in a small way. πŸ’–πŸͺ‘ Wishing you all some beautiful stitches ahead!

Anne
Xoxo
February Wreath aka "Victorian Valentine" pattern February Wreath aka "Victorian Valentine" pattern from last year πŸ’–πŸŒΈπŸŽ€ I love this one so much and it's perfect for Valentine's Day coming up!

Find it in my Etsy shop πŸ’œ

(Sorry for the shaky video!!)
Needle minders will be leaving my shop soon!! πŸ’ Needle minders will be leaving my shop soon!! πŸ’ Snag a cute little fruity needle minder for your next embroidery project before February 9th! All remaining needle minders in my shop are 10% off until then πŸ’•πŸ“πŸ’πŸ’›
✨️ IMPORTANT UPDATE ✨️ I will be disconti ✨️ IMPORTANT UPDATE ✨️

I will be discontinuing embroidery kits from my shop very soon, but I still have 2 left of this pretty summer wreath up for grabs!! πŸŒΌπŸ“

I love this design and the kit comes with everything you need to make the project: two pieces of cotton fabric, thread card loaded with DMC floss, two needles, a good quality 6" hoop, and the PDF pattern! All presented in a handy folder to make it easy to keep everything together πŸ€πŸ’›β€οΈ

Visit my Etsy shop (linked in bio) if you're interested!! They won't be around for long!
Thank you so much for all the love on the Floral G Thank you so much for all the love on the Floral Garden bunting!! πŸ’–πŸŒ·πŸŒ» Following several inquiries from some of you who were missing some or all of the patterns from this project, I've decided to link them in a handy-dandy blog post for easier access! πŸ’• I've linked it via my bio if you want to have a look and get the patterns! I like to give my subscribers a bit of exclusivity, but since this project has now come to a close, I've decided to make it available to everyone. πŸ₯°

I may also have taken that opportunity to write a bit about each flower, the inspiration behind the designs, and of course their meanings according to the Language of Flowers 😊🌿🌻 If that sounds of interest to you, read  the post to find out more! I've also linked some stitch tutorials that may be helpful. 

Happy stitching! πŸŽ€πŸͺ‘🌼

Anne
The Floral Garden stitch-along has come to a close The Floral Garden stitch-along has come to a close and the bunting has been sewn and hung! 🌻🌷🌿 what a joy it was to work on throughout the year, and I hope you've enjoyed it too! I'm thrilled with the final result 😍

Thank you so much for all the lovely comments and enthusiasm for this project. I've just sent the final instructions + bunting template to my email subscribers πŸ’Œ it isn't too late if you'd like to give this project a try - you can sign-up via the link in my bio and receive the links to all 12 floral motifs from last year + the instructions for the bunting!! πŸ’•

The embroideries are beginner-friendly and perfect if you want to try a bit of needle-painting, and the bunting part is quite easy and quick to put together (compared to last year's mini-quilt haha!) πŸŒ·πŸ’•πŸŒΏ

Happy stitching!!
Winter Fox 🦊🀍🌲 I think this makes the fir Winter Fox 🦊🀍🌲 I think this makes the first completed embroidery for 2024! Absolutely loved working on this and love the mix of watercolor with embroidery! Can't get enough of the little pinecones 🀎
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