The Diary of a Northern Belle

Hand Embroidery

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Archives for December 2021

A Cozy Christmas Chat

     Anne

Dear friend,

Can you believe that Christmas is just around the corner once again? How I love these busy, inspiring days full of preparations. The period from now until early January just might be my favourite time of the year!

flat lay displaying woodland scene Christmas card with matching box, a candle, a small wreath decoration, and branches of cedar

There is always so much to do, but it’s so pleasant. The wreath going up on the front door, the tree to decorate, the Nativity to display…and of course, a lot of baking! I don’t typically eat sweets during Advent, but I like having a few goodies ready for Christmas day, of course. I’ve been really in the mood for gingerbread this year, and the other day I saw the cutest cookie decoration tutorial on Pinterest that I’m determined to try out! You make a simple wreath out of what looks like royal icing, and dare I say, it looks fairly doable for someone with zero cookie decoration skills? I’ll let you know 😉.

In truth, these sweet days of homemade preparations for Christmas are nearly as exciting as the day itself! There’s something so magical in getting ready to celebrate the birth of our Saviour, in a spirit of simplicity that yet delights in taking time to prepare special things. The family recipes, the handmade ornaments, the cheerful hymns…there’s so much to take part in and be thankful for.  

The best part, naturally, is the holiday stitching. I’ve been spending too much time browsing everyone’s lovely embroideries on Instagram lately, and my Christmas-stitching-to-do-list is long enough to last twenty Christmasses and more!

 

On My Worktable

flat lay showing a woodland scene on fabric partially painted in watercolour, a stash of DMC emboidery floss, Christmas lights, pinecones, and embroidery scissors

I tried something new this week…watercolour on fabric…and I think I love it. I have Nicki Franklin of The Stitchery to thank for this. I’ve been admiring her work so much lately, and finally decided to try this idea! She often mixes a little watercolour with her embroideries and it’s so pretty.

I’m definitely no watercolour artist and painting fabric is different than painting paper, but I’m incredibly happy with how this turned out! The colours bled a little in some places, but since most of those spots will be covered with stitches later, I’m not worried about it. I had a lot of fun trying this out and am really glad I didn’t mess it up! Have you ever tried something like this? I do love mixing things up with embroidery a bit.

close-up of watercolour woodland scene on fabric, with paintbrushes and tubes of paint

 

Latest Inspirations

I’ve spent the last four or so Christmases in the country, but I don’t think I’d ever been as inspired by my surroundings as I am this year! Little animals keep making their way into my sketchbook, and I dream of snowy forests and snug log cabins, midnight skies and twinkling stars. I’ve even had a few lovely encounters with the dear woodland creatures. A hooting owl woke me up softly one morning, a cotton-tail rabbit has been spotted several times bouncing around the garden, and the most beautiful, majestic fox went for a leisurely stroll around the house a few days ago.

Fresh snow had fallen, still adorning roofs and tree branches, and out came a flash of orange amid the winter whiteness. The fox moved about unhurriedly, as though completely at home. He left straight through the garden path towards the field, his bushy tail swishing gently, leaving dainty footprints behind. It was such a picturesque sight, I wish I’d been outside to take better photos!

a fox in a snow covered garden

It’s no surprise then, that these sweet little creatures should make their way onto my embroideries…although I have to say, I’ve really been challenging myself with the actual drawing of them! I feel fairly confident in my botanical sketching abilities, but animals are another matter entirely. I’m pretty proud of how the fawn in my latest project turned out though, and am excited to stitch him. It’s turning out to be a very relaxing and calming project, the very thing to work on during these bustling days leading up to Christmas.

I look forward to sharing the finished piece with you! Since this will be my last post before Christmas, I wish you a very merry Christmas, filled with serenity and hope. This season is always a wonderful time to remind ourselves of what’s really important, and to slow down a bit and delight in the true mystery of Christmas.

 

For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.

John 3:16

 

Merry Christmas!

 

Fondly,

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Hand-Sewing Basics: Easy Whipstitch Tutorial

     Anne      2 Comments

Welcome to another stitch tutorial: the whipstitch! This one will be a bit different since it’s not exactly an embroidery stitch (though you can use it for embroidery), but more a hand-sewing stitch. It’s quite easy and so incredibly useful. Definitely a great stitch to learn for many uses.

 

hand-sewing tutorial the whipstitch

 

Whipstitch Tutorial

I’ll show you first how to do it on a plain piece of fabric, without joining anything together so you can better see how it’s done.

I prefer to avoid knots when doing this stitch, since it’s usually used to join fabric together and securing it with anchoring stitches is more secure than a knot. You can see this post for how to start stitches without a knot.

 

1. For practice, I definitely recommend drawing two parallel guidelines of the width you’d like your stitches to be. Mine is about 0.5 cm wide. I also prefer to work this stitch horizontally from right to left, but that might be different if you’re left or right-handed.

fabric in embroidery hoop showing drawn parallel lines in pencil and anchoring stitches to begin stitching

 

2. Bring your needle up from the back at point A. Guide your working thread to lay at an angle towards the direction you’re working (to the left, in this case). Bring your needle down at point B (the distance between A and B will be how long your stitch is), and back up again in C in the same motion. C should be parallel with A.

thread coming up at point A, laying diagonally to the left and needle going back down at point b
needle going down in B and C at the same time to create whipstitch
first whipstitch laying at an angle from a to b, and working thread coming out at point c

 

3. Continue in this way for the remainder of the line, making sure that your stitches are even and equally spaced out. You can add more guidelines to your fabric to help you with this if you need! The stitches will lay at an angle naturally as you keep the needle straight while going through the fabric.

two stitches lain down to begin whipstitch line
finished line of whipstitch

 

Where Can You Use the Whipstitch?

As I mentioned earlier, the whipstitch is more often used as a hand-sewing stitch. Back before sergers came along, it was often used to overcast raw fabric edges by hand. I’ve done it on velvet and it works incredibly well! A bit time consuming compared to using a serger, but it’s actually a really neat and efficient way to finish an edge. The whipstitch is also used to join fabrics together, often along fold lines or when using felt. It’s widely used in appliqué and English paper piecing as well (two crafts I’ve become enamoured with this year haha!). It’s not invisible like the slipstitch though, so it can double as a decorative stitch too!

Below are a few different examples of the whipstitch in practice. I really love this stitch and find myself using it pretty often :).

 

Joining Felt and Creating a Border:

Last week, I shared a scissor case I made out of felt, where I used the whipstitch both to sew my pieces together and create a nice border. I used embroidery floss instead of sewing thread and it worked really well.

needle going through two pieces of felt to whipstitch the pieces together
flat lay view of finished scissor case surrounded by dried plants, lace, a red bow, and small copper kettle

Joining pieces together for EPP:

Here I used the whipstitch to join two hexagons together in EPP style (English Paper Piecing). The hexagons are fabric-covered cardstock, but I only sew through the fabric. A full tutorial on how to make a hexie flower using this method is available here.

two hexies held good sides together, needle going through the folds along one edge with a whipstitch
the two hexagons seen from the good side, sewn together along one edge

Finishing the back of an embroidery hoop:

A bit similar to EPP, here I’m using the whipstitch to join a fabric-covered backing to the back of an embroidery hoop. The fabric from the backing is whipstitched to the hoop allowance of the main embroidery project. I also shared a tutorial on how to finish your hoop like this in this post.

close-up of needle whipstitching backing to the back of embroidery hoop
close-up view of finished embroidery hoop back to show the whipstitching all around

To appliqué a piece of lace:

The whisptitch is super useful for appliqué, especially since in this case the edge of the lace is further covered with stem stitch in yellow thread. But in order to secure the lace to the fabric, I first ran a whipstitch all around. I kept my stitches small and close to the edge so they would be as invisible as possible. For a closer look at this project, you can have a look at my Wisteria Embroidery Inspired by Literature post.

lace appliqué being sewn on main fabric
stem stitch outline worked around lace appliqué

As you can see, the whipstitch is a super useful stitch to know and can be used in so many projects. It’s also a great alternative to the slipstitch for closing openings. I find it much faster to work, but it’s not as invisible, which is why it’s nice when it serves a decorative purpose as well.

I hope this whipstitch tutorial was helpful, and don’t hesitate to let me know if you have any questions. Happy stitching!

 

Fondly,

P.S. – Have a stitch you’d like to learn, or questions about hand embroidery in general? I’d love to help! You can send me an email at anne.marie@diaryofanorthernbelle.com or message me on Instagram!

learn how to do the whipstitch
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Making a Scissor Case With Victorian Embroidery

     Anne      Leave a Comment

Back in the spring, I found myself very inspired by strawberries. There were, naturally, too many projects to fit in that season and too little time. One of these hopeful projects had been a scissor case featuring a beautiful Victorian strawberry design. Strawberries may be out of season now, but I’m bringing them back in this unintentionally festive-looking project!

 

scissor case project with historical embroidery

 

I came across a beautiful strawberry pattern while browsing through a Briggs & Co. collection of patterns to transfer from the 1880’s. I immediately thought that it would be perfect to embroider on a scissor case. If you didn’t know, Internet Archive is FULL of historical books about needlework, embroidery, floriography, and so much more! There are some absolute gems to be found there. The Briggs & Co. embroidery designs for transfer are definitely among them.

 

flat lay featuring dried brown sprigs, lace, a pincushion, a mug of foamy drink, a teacup full of embroidery floss, a red bow, an embroidery hoop, and embroidered scissor case in the center

 

The Briggs & Co. Embroidery Patterns

“Universally known” by the 1880’s, these embroidery patterns were all the rage because they were ready to be transferred with an iron “on any fabric” (clearly they did not have polyester felt back in the 1880’s, haha!). This obviously sped up the process and lowered the costs for ladies’ embroidery projects. The particular book I’m referring has a large selection of floral and ecclesiastical patterns, as well as village scenes illustrated by Kate Greenaway. We are big fans of Greenaway here on this blog and I reference her Language of Flowers dictionary often. 😉

I absolutely love working with historical designs and knowing that somebody else also embroidered it a long time ago. (I like to imagine a fancy lady sitting at her embroidery frame, flowy skirt billowing about her, and intricate fire-screen shielding her from the fire, while I’m here in my pjs stitching in bed…lol)

The strawberry pattern can be found on p. 37. I’ve adapted it to fit on my case by only transferring part of it, and moving a few elements slightly.

For some reason, I was really set on making the scissor case out of felt, so I had to find a good way to transfer the pattern… Since you know, as fabulous as these patented designs for transfer are, I sadly don’t have access to a physical copy. I love embroidering on felt (although I don’t do it very often) because the needle glides through so easily. It’s not so easy to transfer a pattern on it, however. I decided to give the tissue paper method a try, and it worked SO well! Definitely recommended it if you want to transfer something on felt.

 

Transferring the Pattern…the “old-fashioned way”!

I just used a piece of white tissue paper (the kind for gift-wrapping), and transferred my design on it with a pencil. Then I pinned the paper in place over the felt and started stitching my design right through both felt and paper. It tears a little as you go, but that’s ok! I was able to follow the pattern pretty easily. I only stitched the necessary outlines, leaves, and sepals before pulling the rest of the paper away.

 

tissue paper with transferred embroidery pattern pinned aver hooped piece of felt
close-up view of embroidered strawberry pattern over tissue paper and felt

Lovers of fancy work cannot but remember with a sigh how much money and trouble they have been obliged to expend over their designs in past days. If they wanted a braiding pattern they either had to tack on strips of tissue paper, and after stitching the braid on to pick the paper out laboriously with their fingers […]

Ladies’ Pictorial, May 6th 1882, in Briggs & Co. Patent Transferring Papers.

 

Well, excuse me, Ladies’ Pictorial, but removing the tissue paper was an immensely satisfying step! I used a pin and a pair of tweezers to grab the little pieces of paper stuck under certain parts of the stitching. Now there’s no trace of tissue paper anywhere! Plus, it leaves no visible pencil or water-soluble/heat-erasable pen marks, which is really nice. (I only traced the outline for the scissor case piece in water-soluble ink, and that washed away very easily.)

 

close-up view of strawberry embroidery outline once the tissue paper is removed

And now I feel as though I’ve completely defeated the purpose of using a pattern from genius groundbreaking 19th century innovative embroidery technology, by reverting to the method which these patented transfers were intended to supplant. Oh, dear.

 

Stitching the Design

I kept the stitching very simple for the most part; the stems are done with stem stitch, the leaves and sepals with satin stitch, and the flowers with satin stitch and French knots. I outlined the strawberries with backstitch before filling them with trellis stitch. Needle-painting was quite popular in the 1880s, so it’s very possible that the design was intended to be stitched that way, but I went for a quicker route.

 

view of finished strawberry embroidery on scissor case pocket piece
close-up view of embroidered leaves with satin stitch
close-up view of embroidered strawberry flower

 

For the strawberries, I was partly inspired by a series of posts I saw on Mary Corbet’s Needle n’ Thread. She used some lattice work over satin stitch for one of the strawberries in her sampler. The effect was so lovely and such a good idea for filling a berry! I skipped the satin stitch and just did the lattice work (trellis stitch). I used one strand of gold DMC metallic thread for the little “x”s anchoring the lattice. It adds such a nice touch and I love it!

close-up of embroidered strawberry with trellis stitch

 

Making the Scissor Case

I designed the case myself, and it’s 2 very simple pieces designed to hold a pair of small embroidery scissors. I used my 4 1/2″ long stork scissors for reference.

two pieces of scissor case side by side with snips and embroidery floss bobbin
close-up of lace bordering the top of scissor case piece

 

After adding a bit of decorative lace to the top of the pocket piece, I simply laid this piece atop the bigger one. Then I sewed them together with a whipstitch. I used 2 strands of floss instead of sewing thread to create a nice border, and it worked really well! The best thing about felt is that the raw edges don’t fray, so there’s no need to worry about seam allowances and how to finish edges.

finished scissor case over lace background

 

Because I used rather thin felt and the scissors are very pointy even when closed, I reinforced the bottom with a bit of interfacing. (Applied to each case piece before I sewed it together.) And to prevent the scissors from slipping around, I also added a little ribbon to hold them in place with a bow. All I did was poke two holes with a tailor’s awl on the back piece just above the pocket, and thread the ribbon through. When the scissors are in, you can easily tie the ribbon in a bow to hold them in place 😊.

flat lay view of finished scissor case surrounded by dried plants, lace, a red bow, and small copper kettle
flat lay view of embroidered scissor case with dried plants, lace, embroidery hoop and red bow

 

And that’s all there is to it!

It was a pretty quick project, perfect for a day of quiet stitching with warm coffee, watching the snowflakes flurrying outside. The red, green, and gold were a nice festive bonus! On its own the case doesn’t look strictly “Christmas” and works year-round, but it was fun to work with holiday colours at this time of year.

I hope you enjoyed this little project and I’d love to hear your thoughts. Do you also have a scissor case? What do you think of the trellis stitch? I can’t wait to stitch another Briggs & Co. embroidery pattern, they’re so beautiful. (And read what other snarky comments such periodicals have to offer!) Again, you can find the book where I found the strawberry pattern here.

 

Fondly,

victorian embroidery scissor case project