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Beaded Blackberries: Inspired by Regency Fiction

     Anne      Leave a Comment

Hello dear friend,

Today on the blog, I have something very special to show you: a beaded blackberries embroidery project. I’ve been planning it out for a long time and it’s inspired by one of my favourite books. It turned out even better than I expected and I have been so looking forward to sharing it with you all! To add to the excitement, my work was also featured on Hannah’s lovely blog The Bohemian Bookworm just yesterday! I highly encourage you to give her a visit. Her blog is full of charming bookish and period drama inspiration (not to mention it now features an amazing book review and embroidery project by yours truly!).

 

needlework inspiration from georgette heyer: venetia's blackberries

 

‘I mean to know you better, Miss Lanyon of Undershaw!’

‘To be sure, it does seem a pity you should not, after such a promising start, but life, you know, is full of disappointments, and that, I must warn you, is likely to prove one of them.'”

Georgette Heyer, Venetia

 

Ahhh, Venetia! What a complete delight of a book you are! (If we take out the parts with Mrs. Scorrier, of course. And Edward Yardley. He is most definitely not delightful.) I’ve mentioned it on my blog before, in my post called 10 Wonderful Classic Books to Read This Summer (although after revisiting it lately, I have realized that a large portion of it takes place in autumn, so…what better time to go read it than now?!). I also wrote a full gushy, incoherent essay on it over on Goodreads, if you want more of my fangirling thoughts on it.

 

My Thoughts on Venetia

flat lay view of Venetia book, plate of blackberries, beaded blackberries project, cup of tea and embroidery notions

 

One of Georgette Heyer’s most acclaimed works and a favourite among readers, Venetia is undoubtedly one of my favourite romances of all times. I assure you that you will seldom find a more perfect one. While Heyer’s Regency novels tend to be more comedy than romance, Venetia is certainly more romance than comedy. The signature funny, witty style is there of course, but it’s overall more serious and lyrical than her typical screwball comedy.

Taking place in the countryside of Yorkshire in 1818, the story is rather quiet (despite the passionate romance scalding off the pages) for a Heyer book. Although Venetia does go to London later in the book, this is not your usual romp full of glittering balls and soirées. It’s a more mature story, with an “older” heroine (really, she’s only 25, but most Heyer heroines tend to be 17-20) and everyone’s favourite seasoned rake, Lord Damerel, kindly christened the Wicked Baron by Venetia and her siblings.

 

“‘[…]your quotations don’t make your advances a whit more acceptable to me – and they don’t deceive me into thinking you anything but a pestilent, complete knave!’”.

 

A Beautiful Romance

There is no doubt that Venetia and Lord Damerel are among Heyer’s best-matched couples, if not the best. Most readers unanimously agree that they are perfect for each other, unlike some other couples. Their romance is ultimately grounded in solid trust and friendship nearly from the start (we shall magnanimously gloss over the aforementioned “advances”). They laugh together, share inside jokes, understand each other, and best of all, they can’t stop quoting classic literature.

 

‘Item, two lips, indifferent red-’

‘Oh, no, you’re quite out, and have gone to the wrong poet besides! They look like rosebuds filled with snow!’”

 

Ahh. Their bond is undeniably strong, and unlike in other Heyer novels, you don’t have to read between the lines to see how attracted they are to each other, and how much in love they soon fall. It’s palpable in their every interaction. I might make it sound a little spicy, but fear not, this is a clean book. 😉 Orgies may be mentioned now and again, but what’s to be expected from a novel so bent on referencing ancient Greece and Rome if not to throw in a little orgy (pardon me, a splendid orgy!)?

 

I’m kidding of course, there are no orgies in this book. It’s all in good taste, I promise. For all this talk about passionate romance, that isn’t exactly what makes their relationship so good. As mentioned previously, it’s the fact that they are so completely in tune with each other and become such good friends so quickly.

 

The Idyllic Setting

 

Somewhere in the garden a thrush was singing, the joyous sweetness of its note so much in harmony with [Venetia’s] mood that it seemed a part of her happiness. She was content for some moments to listen, not questioning the source of her happiness; but presently she came to full consciousness, and remembered that she had found a friend.”

 

Venetia book copy being held against backdrop of brambles and blackberries

 

I think this is probably the passage that touches me the most in the entire book, and trust me there’s a lot in there to delight you. But that sweet passage, the opening of Chapter 5, in which she wakes up to the delicious memory that she has found a friend in Lord Damerel is just so pure and heart-melting that I can’t help sighing contentedly.

The imagery conjured up is also very beautiful. Venetia awaking – probably wearing a charmingly embroidered white nightgown – to the first rays of sunlight on a golden autumn day, a thrush sweetly singing in the garden…Very romantic and period-drama-esque indeed.

 

Embroidery Inspiration

 

flat lay showing venetia book, beaded blackberries project, plate of blackberries, cup of tea, and dried botanicals

 

Georgette Heyer’s books are always lavishly detailed, usually describing people’s dress at length, providing a veritable treasure trove of ideas for historical costumers. In Venetia however, I found the setting and romantic tones of the book even more inspiring. I love to create embroideries inspired by classic novels, and the blackberry project came to mind from what is surely the most famous “first encounter” scene between the hero and heroine in all GH’s books.

 

‘Fair Fatality, you are the most unusual female I have encountered in all my thirty-eight years!’

‘You can’t think how deeply flattered I am!’ she assured him. ‘I daresay my head would be quite turned if I didn’t suspect that amongst so many a dozen or so may have slipped from your memory.’”

 

Repeatedly warned by family and friends against the dangerously rakish Lord Damerel, Venetia nevertheless doesn’t scruple to wander about his grounds when she knows he is not at home. He’s not there, darn it, and his blackberries are going to waste!

 

It came, therefore, as a surprise to Venetia, serenely filling her basket with his blackberries, when she discovered that he was much nearer at hand than anyone had supposed.”

 

Venetia book copy and plate of real blackberries

 

Naturally, who should happen upon the charming picture of Venetia in an old dress and straw bonnet quietly picking blackberries but Lord Damerel himself (on his horse, no less)? Actually, he happens upon her as she is trying to disentangle herself from an especially encroaching bramble. He then starts (naturally) to quote classic literature, and after recovering from the shock of being ruthlessly kissed, Venetia starts (naturally) to quote back. I love this unforgettable scene so much, and have associated Venetia with blackberries ever since.

 

The Project: Beaded Blackberries

flat lay close-up on beaded blackberries project and plate of blackberries with embroidery notions and dried flowers

 

I’ve been dreaming of embroidering my own beaded blackberries after seeing beautiful photos on Pinterest and in the book Embroideries From an English Garden by Carol Andrews. What a perfect project that would always remind me of Venetia!

The design is my own, and I embroidered the piece using different techniques.

 

The Embroidered Leaves

I started by stitching the leaves and branch in needle-painting style, using the long & short stitch. I’ve talked about this technique before in my post Garden Bouquet Embroidery Part 2: Wild Roses. It was a little faster here because I used two strands for most of it, except for the veins and tiny thorns that border the leaves’ jagged edges. I used very small straight stitches for those.

 

close up of embroidered leaves in long & short stitch
close-up of leaves' tiny thorns being stitched with straight stitches

 

The Ribbon Flowers

Next, I created the flowers with small pieces of ribbon. I wanted them to have the round petals of a real blackberry flower. To do this, I cut out each petal out of a wide piece of ribbon and singed the raw edges with a candle. Then I ran a gathering stitch along the bottom to create a fold, and sewed each petal one by one to form the flower. I later added the center details using embroidery floss.

 

blackberry flowers made with white ribbon pieces gathered together
blackberry flowers close-up showing embroidered center details

I used polyester ribbon which wasn’t the best and it unraveled easily, but the candle flame and a bit of Fray Check glue did the trick. 😉

 

The Beaded Blackberries

And finally, for the blackberries, I knew I wanted to use beads to make them sparkle and shine and look as good as real ones. I also wanted to raise them a little bit, so I decided to do a bit of stumpwork. Stumpwork is raised, or 3D, embroidery, and one of my favourite things to try lately. I used felt and pieces of cotton ball to create the blackberry shape, and then hand-sewed beads one by one to cover the shape entirely.

 

close-up of beaded blackberry in the making; beads are stitch on a padded piece of felt

 

And voilà, beaded blackberries! I’m immensely pleased with how it turned out! It was a lot of tedious work but I enjoyed it a lot and it certainly paid off. And now I’m reminded of Damerel and Venetia’s witty banter and swoon-worthy romance every time I look at my beaded blackberries. It probably didn’t help that I compulsively listened to the audiobook version narrated by Richard Armitage while I worked!

 

close-up view of finished beaded blackberries
beaded blackberry branch, completed

 

A Bit of Floriography (because I can’t resist)

Of course, I was very curious as to the meaning of the blackberry per the Language of Flowers of the Victorians. I have the handy pocketbook reproduction of the dictionary illustrated by Kate Greenaway (which you can see here), and while there was no entry for “blackberry”, there was one for “bramble”.

 

real blackberry branch in nature

 

Bramble = Lowliness. Envy. Remorse.

 

Well! Not exactly the most joyful thing, but in the context of what we know of Damerel’s character at that point in the story, lowliness would seem fitting! When he surprises Venetia tangled up in brambles, all she (and the reader) know of him is his unsavoury reputation as a degenerate hosting wild orgies during hunting season. Low indeed. Remorse definitely comes later as he starts falling in love with Venetia, but there is no sign of envy about him at all.

Very interesting, isn’t it? I would say the bramble’s floriography meaning is pretty spot on in the context of the story! Although floriography hadn’t really caught on yet in society in 1818, (and I’ve never heard that Heyer purposefully included references to it in her books) it’s always nice when the significance proves apt (or somewhat apt) anyways!

 

flat lay photo as seen earlier, with language of flowers dictionary by kate greenaway

 

Don’t forget to visit Hannah over at The Bohemian Bookworm! I’m very happy and honoured to have been invited to post on her blog and I hope that you enjoyed reading my thoughts on Venetia and seeing my beaded blackberries project. Thank you so much, Hannah, for inviting me on and letting me share my project! 😊

And to conclude, I highly, HIGHLY recommend that you read Venetia (and Georgette Heyer in general) if you haven’t already. You won’t regret it. It’s such an idyllic experience that you won’t want it to end (if you’ve read the book, you will understand this reference haha!).

Until next time, my friends! I should have the next instalment of the Garden Bouquet up on the blog this Saturday.

 

Fondly,

Beaded blackberries inspired by literature

Ribbon Lily: Garden Bouquet Part 4

     Anne      Leave a Comment

Hello dear friend,

It’s back to the Garden Bouquet embroidery this week with Part 4, the ribbon lily! I have been so excited about the lily since the beginning. I knew I wanted to dive back into ribbon-work, and I just had this beautiful vision in my head of a gorgeous lily in shiny ribbon, full of life and bloom.

 

garden bouquet part 4 ribbon lily

 

It’s a success, I think. I love my lily. It crowns the whole piece beautifully. Amazingly, this is the part that was the least time-consuming yet produced a most stunning effect.

 

thread key for the lily: stem and leaves = dmc 3346, 1.5 cm wide green ribbon. Flower = DMC 433, 734, 3779, 2.2cm wide pink ribbon, 1.9cm pale pink ribbon

 

I rummaged around for pale pink ribbon and found two different colours that go perfectly together in my stash. One is Celebrate It from Michaels, and I got the other one in a Dollar Tree years ago. The former is pretty wide, 2.2 cm large, and the latter is a bit smaller, at 1.9 cm large. They are both polyester ribbon.

The wider the ribbon, the wider your single-stitch petal will be. That’s the beauty of ribbon embroidery. You can use only one stitch and create a beautiful petal. The needle is admittedly harder to pull through the fabric than for embroidery, but you can also create a flower in a fraction of the time that embroidery takes!

 

Let’s Stitch a Lily

For ribbon-work, we generally use chenille needles. A chenille needle has a really big eye, thick shaft, and a pointy tip. You need a pointy tip to be able to pierce the fabric, unless you’re stitching on something with a really broad weave like Aida cloth. I’m using a cotton for my project that’s heavy enough to sustain ribbon-work, but the weave isn’t broad enough to use a blunt-tipped needle.

My ribbon was so wide that I couldn’t thread it completely through the eye of my widest chenille needle! But it’s ok, because I was able to thread enough of the ribbon so that it wouldn’t slip out. It just meant that I didn’t have a tail like you normally would with embroidery thread, but you don’t really need it in this case.

 

trying to thread the large ribbon through a chenille needle

 

As well, I didn’t knot or anchor the end of my ribbon in any way. Usually for ribbon embroidery, you thread the needle through the end of the ribbon so it forms a knot on itself. This wouldn’t have worked with so wide a ribbon here, and would have created too much unnecessary bulk. So I just left a small bit of ribbon hanging from the back after each stitch, which I eventually secured with a sewing needle and thread at the end.

 

How to Start

Once the needle is threaded as best as you can, it’s time to take the first stitch!! The ribbon is very bulky where it sits in the needle’s eye, so you need a pretty big hole to be able to stitch through the fabric. I used a small tailor’s awl to poke a hole through the fabric first, before making a stitch, and it helped tremendously. I also used a gripper to help pull the needle through, since my hands were sweating uncontrollably. If you have dry hands, you might not have as much difficult pulling, although you will probably need to wiggle the needle quite a bit to make it come through.

 

using an awl to poke holes through the fabric for the ribbon lily

 

I worked from the center of the flower to the tip of the petals, careful to leave a bit of space between the stitches in the center. You don’t want them all the same hole or too near the same hole, or they risk coming undone and you’ll likely pull the stitches out accidentally when making a new one.

Each stitch is basically just a straight stitch (it just looks so much more impressive because it’s wide ribbon!). You start at point A (flower center), and go back down at point B (petal tip). You can decide how much ribbon you want for each petal. The tighter you pull, the thinner the petal will look. The looser you leave it, the more the ribbon will arch to form the petal.

 

single straight stitch to form a lily petal

 

You can also place the ribbon however you want it before bringing your needle back down. For example, the second petal to the right (from the top) was folded on itself before I ended the stitch. This gives the flower more dimension and a more realistic appearance. I also alternated between my two ribbon colours to vary the petal shades.

 

lily ribbon petal folded on itself to create realistic effect

 

Next, I added a little flower bud near the leaves. I also used straight stitches to create it, one stitch overlapping the other to create the appearance of folded petals.

 

ribbon work lily leaves

 

I worked the two leaves with straight stitches again, but with a thinner ribbon (that actually fit through the needle’s eye!). The ribbon was from my stash, but it was exactly the shade of green I wanted. 🙂

 

making a straight stitch with green ribbon for the leaves

 

Flower Details

Once I was satisfied with all this, I stitched the stem, using two strands of DMC #3346. I used long & short stitches with longer stitches than usual, and did a bit of whipping at the top where the stem was thinner. “Whipping” is when you weave your thread behind existing stitches without going through fabric. It creates a nice twisty look.

 

view of the full bouquet so far, to show the lily stem

 

I also added a few straight stitches (in floss) around the bud for the sepals.

 

close-up of lily bud to show embroidered sepals in embroidery floss

 

And finally, it was time to add more dimension to the flower and really make it look like a lily. I used one strand of DMC #734 and one strand of Brillanté d’Alger #511 (DMC #3779 is a close match) at the same time (so two strands in my needle, one of each colour) to create the filaments. I started from the flower center and just made straight stitches into the upper petals.

 

lily center with embroidery floss and straight stitches

 

Then I used two strands of Anchor #357 (DMC #433) to make smaller, slightly curved stitches to create the anthers above the filaments. (Yes, I had to google all these flower parts :P)

 

Finishing Touches

To secure all my dangling bits of ribbon at the back, I un-hooped my work, threaded a sewing needle with matching pink sewing thread, and sewed down each bit to anchor it.

 

backside of embroidery work to show the ribbon ends to secure

 

I also did a bit of sewing on the good side, to really place my petals as I wanted them, anchoring a fold here and there. To do this, you want to take very small stitches underneath the folds you wish to create so that the thread won’t be visible. It was also necessary to anchor a few petals down. Their arching form revealed the pencil marks underneath (and unfortunately this isn’t a piece you can wash easily – if at all).

 

complete ribbon lily flower

 

Voilà!! Now you know the secrets to stitch a beautiful lily flower with ribbon. I used to do a lot more ribbon embroidery a few years ago, and hope to get back into it. Each stitch is so satisfying, so lush, so beautiful!

 

view of completed bouquet so far, showing embroidered roses, currants, raspberries and lily flower in ribbon

 

With the lily now complete, my bouquet is really starting to look like something! All we have left are the little yellow daisies, the title, and a few finishing touches. I’m already prepping Part 5 for you 😊.

 

If you need to catch up on Parts 1, 2, and 3, here they are:

garden bouquet project part 1
Garden Bouquet part 2: wild roses
beautiful berries garden bouquet part 3

I hope you enjoyed embroidering a ribbon lily with me! Which has been your favourite part so far? Do you prefer needle-painting, stumpwork, or ribbon-work? Let me know in the comments!

 

Fondly,

ribbon lily garden bouquet part 4
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Make Darling Embroidered Buttons: Tutorial

     Anne      Leave a Comment

Hello and welcome back to my blog! In today’s post, I have a new tutorial for you – we’re going to make embroidered fabric-covered buttons. 😊 They’re soooo much fun and very easy to make.

 

embroidered buttons step-by-step tutorial

 

One of the things I love the most about embroidery is how easily you can weave it anywhere you want, especially on clothing. The endless possibilities for embellishing your clothes with embroidery are mind-blowing. What better way to create something absolutely uniquely yours. In my last year of Costume Studies, I tried to incorporate embroidered touches as much as I could in the projects we got to make for ourselves.

 

Buttons on a Dress

 

I designed and sewed this cute lilac dress for an assignment in Draping, and couldn’t resist the opportunity to add a bit of embroidery.

 

girl in a field wearing lilac dress with embroidered buttons
girl in field wearing lilac dress holding flower bouquet up to her face

 

I had previously discovered (and became enamoured with) fabric-covered buttons while working on an assignment for another class. They were so fun and easy to work that I knew I had to get my own kit for making them.

They don’t have to be embroidered of course, you can definitely just cover them with any fabric you like. But everything is better with embroidery, so I just had to give it a go. I love how they look on this dress. They’re so cute and dainty and exactly what I had in mind.

 

close-up of embroidered buttons on dress front

 

Embroidered Fabric-Covered Buttons Tutorial

 

Without further ado, let me show you how to make your own! It’s very easy and adds such a detailed personal touch. The embroidery is very small though, so it might be a bit challenging in that respect, but it also means the design isn’t very detailed.

The tiny flower cluster I went with is very easy to stitch. Here we go!

 

Materials

 

First, you will want to gather the following supplies:

materials for making the embroidered buttons; button kit, fabric, paper scissors, fabric shears, snips, embroidery hoop, embroidery floss, needles, marking tools, wood block

 

You will need fabric, either to match an existing project, or something different entirely. The lilac fabric I used for my dress was 100 % cotton, and the pale turquoise I’m using for the tutorial is a cotton as well. I recommend using a medium weight fabric, or a thinner fabric with interfacing. You will also need fabric shears to cut the fabric.

 

Next, you will need basic embroidery supplies:

  • Snips
  • Needle (I used DMC #9 embroidery needle)
  • 3 1/4″ inch embroidery hoop (you can use a bigger one too if you’re making many buttons on the same piece of fabric)
  • Floss: for the tutorial, I used DMC #3347, #744, #402
  • Marking tools: A water-soluble pen (or any other “erasable” pen) is useful for this project and/or a pencil.

You will also need a button-covering kit. These can be found in fabric stores such as Fabricville (Canada) or Jo-Ann’s.

 

Inside the kit you should have:

 

  • Buttons to cover
buttons to cover

 

They have two parts. The top is shaped like a dome and has a smooth surface, and the back is a little disk with the shank on top.

button to cover separated; smooth surface top and bottom with shank

 

  • A plastic holder
plastic holder for covering buttons

 

  • A “pusher”
plastic pusher for covering buttons with fabric

 

  • Instructions and template

Don’t throw out the packaging! Likely, the kit’s instructions will be written on it. You will need the templates that are printed on the back of the package.

back instructions and templates for fabric-covered buttons

 

The kit you buy will tell you what button size is included. The one I got was for #24 buttons, so that means I will cut out #24 circular template on the back.

bottom of packaging shows what size of buttons and template to cut
circle template cut out from back packaging
The cutout template here is from another kit.

And lastly, you will need paper scissors to cut out the template, and an optional piece of wood (or other smooth and slightly heavy object) to help with making the buttons.

 

The Tutorial:

 

  1. Cut a piece of fabric to fit inside your embroidery hoop. Consider how many buttons you want to make. If you’re making the #24 size, you will need approx. 5/8” in between each.

fabric cut to fit inside small embroidery hoop

 

2. Mark the size of the button on your fabric to determine where to embroider. Normally markings are made on the wrong side of the fabric, but in this case that wouldn’t be very helpful. This is why an erasable pen works well, because you will be able to get rid of the mark easily. You can also use chalk or a heat-erasable pen if that works for you.

trace the button size on your fabric

 

3. Make any markings you might need for your embroidery design. Because it’s so small you might prefer not to mark anything. I used a 0.5 mechanical pencil to lightly mark the stem and leaf placement of my flower. If you want to make the same design I did, simply draw a vertical line for the main stem. Add two little lines at an upward angle about the middle of the stem, one on each side for the leaves. I also added two slightly longer lines angled upwards at the top of the stem for more “leaves”. You can definitely do all this with your thread though, and skip the markings entirely. I work more steadily with markings so I prefer to do it.

make any markings you need for your embroidery within the button size

 

4. Embroider the design. Place the fabric inside your hoop and tighten the screw until the fabric is nicely taut. Thread your needle with 2 strands of DMC #3347 or the colour of your choice. I’m using a knot to secure my thread because it makes the most sense for such a tiny area. See this post on how to start & end your threads for other methods.

 

a) Stitch the main stem and upper “leaves” with a splitstitch or other outline stitch of your choice. The leaves are so tiny that they’re just a small straight stitch.

b) Work French knots above the stem using two strands of DMC #402 and #744 to create the flower cluster. There is no real order to this, just scatter the knots as you wish to create a flower head or cluster form.

 

tiny flower embroidery tutorial

 

Embroidery is done! Secure your threads at the back and un-hoop your fabric.

 

5. Cut out the appropriate template at the back of your button kit packaging (I’m using size 24) and place it evenly over your embroidery. You can do this at the back too, but I find it’s more accurate to do it on the good side. Trace the template with a pencil or erasable pen. This creates the seam allowance necessary to cover the button successfully.

place the circle template over your embroidery to cut seam allowance
seam allowance added all around the emroidery

6. Cut out your fabric along the template line you just marked.

cut out button cover with seam allowance

 

7. Take the plastic holder, and center your embroidered fabric over its hole. The original marking you made of the button top should fit right along the edge of the white thing. You can also center the white thing on your fabric right side up first if that’s easier, then slowly turn it around so that the fabric is closest to you, good side facing the hole.

place the plastic holder right over the embroidery, the original button marking right around the edge of the holder
flip the holder over so that the fabric rests good side down against it

8. Place the button top smooth face down on the fabric. Make sure it’s well centered over the embroidery.

button dome face down over embroidered fabric

 

9. Push down with your thumb, or the pusher provided in the kit (I like to use a piece of wood to push down on the pusher to make it even easier). The button top will end up at the bottom of the holder and the seam allowance will fold on itself around the dome. If you see that the button isn’t straight, that there is too much fabric on one side and not enough on another, you can pop the button out and start again, re-centering your fabric better.

thumb pushing the button to the bottom of the holder
pusher is put over the button piece, and a block of wood used to push down on it

10. If you’re satisfied with the eveness of the seam allowance, push down gently on it even more to make sure none of it sticks out. Add the button back, shank facing up atop the folded seam allowance.

seam allowance folds on itself around the button dome inside the holder
button back placed atop the folded seam allowance, on top of the holder

11. Here is where the pusher is definitely useful! Place it over the shank (the hole covering the shank) and push down until you feel it sink in to the button top. I like to use the piece of wood again to push down, but you can do it with your palm or another object.

pusher placed over the shank of the button back
hands pushing a wooden block on the plastic pusher to secure button back

12. Pop the button out of the holder.

hands pushing the covered button out of the holder

 

13. Pray and hope the embroidery is well-centered.

embroidered fabric-covered button

 

14. CONGRATS, YOU DID IT!!!!! Look at that cute little button!

finished embroidered button seen from the front

And that’s it! Now you’re ready to cover everything with embroidered buttons. 😉

 

how to make a covered button step-by-step tutorial

 

I hope you enjoyed this tutorial and that it will give you some inspiration for adding subtle and delicate touches of embroidery to your work. The good news with this sort of embroidery, too, is that it doesn’t take long at all, but really pulls an outfit together.

The lilac dress would be very different without the embroidered buttons.

 

lilac dress close-up on embroidered buttons down bodice front
close-up of top embroidered button on lilac dress bodice front

 

I added embroidery to the back as well, but not because I wanted to add more delicate touches. No, I added embroidery there BECAUSE I CUT A HOLE WITH THE SERGER. A big, super noticeable gash right in the middle of the mid-riff section, just before my project was due. If you know me, this is EXACTLY the kind of stupid mistake I often make and there is zero surprise in this happening, BUT IT WAS A SAD MOMENT.

 

view of embroidered bodice on lilac dress back

 

Thankfully, embroidery is here to solve all your problems, so I just mended it with matching thread first, then covered up the ugly scar with a little branch of some nondescript purple flower.

HA! TAKE THAT, SERGER.

 

model wearing lilac dress in field leaning forward with flower bouquet

 

Thank you for coming to “Part 75 Why Anne Will Never Buy a Serger”.

Have a lovely week and happy button-covering!

 

Fondly,

learn how to make embroidered buttons
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Garden Bouquet Embroidery Part 3: Beautiful Berries

     Anne      Leave a Comment

Who’s ready for the next part of the Garden Bouquet project? I know I am!

 

garden bouquet part 3 beautiful berries

 

If you haven’t seen Part 1 or 2 of the Garden Bouquet project, here they are:

Garden Bouquet part 2: wild roses
garden bouquet project part 1

Today, we will be looking at the berries. There are two branches of berries in this design: raspberries and currants.

I embroidered my raspberries pretty much the same way as I did in this project, so I will go over it quickly. If you want more details, you can have a look at Ripening Raspberries, a project where I combined embroidery and pressed leaves.

 

Embroidering the Raspberries

 

thread key for raspberries: branch & leaves = DMC 3346, 3347, Berries = DMC 304, 347, 3331

 

I didn’t use beads this time, only French knots. I wasn’t planning on using beads anywhere else, so I thought it might look odd to have just one element with beads. So instead I filled the whole berries with French knots without leaving any gaps. I used three strands of DMC #304, #347, and #3831, and tried to distribute the colours evenly-ish. The sepals are made with lazy-daisy stitches, using two strands of DMC #3347.

 

embroidered raspberries with french knots

 

The branch is embroidered with a stem stitch with two strands of DMC #3346. The leaves are done in straight stitches, angled and placed to create a bit of a jagged edge. I used two strands of DMC #3347 and #3346. These were done rather quickly and without any clear method. I knew that I wanted to differentiate them from the rose leaves, so I used different shades of green, and tried to make the leaves smaller and thinner.

 

embroidered raspberry leaves with straight stitches

 

I absolutely love how it turned out! This was one of the easiest part of this garden bouquet and such a breeze after slaving over the wild roses 😉

 

embroidered wild roses and raspberries on garden bouquet project

 

Embroidering the Currants

 

thread key for currants: Branch & leaves = DMC 734, 937, 3345, 433, Berries = DMC 304, 321

 

Ah, the currants. I had a wonderful plan to cover beads with floss to create a beautiful stumpwork (3D) effect, but sadly all the beads I had were too big or too small. There was no time for an emergency trip to the crafts store, so I had to abort the plan and think of something else.

Not to be deterred in my stumpwork ambitions, I decided to try something else. I really didn’t want to make the berries flat, and French knots wouldn’t really have worked in this case. I remembered seeing “raised” satin stitch around before, and using stuffing or other materials to create a 3D effect. So I went with a cotton ball…the currant berries are so small that I only needed teeny tiny little pieces at a time.

First, I outlined each berry with a small backstitch, to have a good guideline for filling it.

 

currant berry outlined with backstitch

 

Then, I took what felt like a microscopic piece of cotton ball (I’m using just a regular old cotton ball from the drugstore) and shaped it as best as I could to form it into a little ball. I then place the tiny ball in the outlined shape.

 

cotton ball to create stumpwork effect

 

With one strand of DMC #304 or #321 (I alternated between two shades of red), I anchor the cotton ball by taking a few stitches over it.

 

currant embroidery - covering the cotton ball with satin stitch

 

With a satin stitch, I cover the entire ball, until none of the white shows through. And it makes a beautifully raised little red berry!

 

covered cotton ball with satin stitch to form a currant berry

 

So cute!

Once they were all done, I added a little “end” to really make them look like currants. This was done with one strand of DMC #433, and it’s just a very small straight stitch. I placed them in the direction where it made the most sense for each currant hanging from the branch.

 

embroidered currant berries with little "end" in brown floss

 

The branch was added afterwards, using two strands of DMC #433 and a split stitch.

 

And lastly, the leaves!

I had no idea what currant leaves looked like, so Pinterest was very useful here for some reference images. I remember stitching these very late at night, determined not to leave them for the next day, so they’re a bit less refined than the rose leaves. It’s hard to tell though, since they’re well hidden 😉

Again, same approach as before. Outline in split stitch first. Then I used two strands of DMC #937 and #3345, and very messy long & short stitches to cover the leaves. There really was no plan for this, just improvisation and deciding where to add a bit of shading on the spot. Currant leaves also have a ragged edge, so I tried to replicate that a bit all around my leaves by ending the stitches in different spots.

 

embroidered currant leaf in needle painting

 

I left some space along the center of the leaves for the stem and veins. Those were stitched with one strand of DMC #734 in straight stitches, again in a very impromptu manner.

 

finished embroidered currant berry branch on garden bouquet project

 

I really love how it turned out though (I say this a lot, I’m sorry! But it’s true!). The raised satin stitch with cotton ball stuffing worked wonderfully and I definitely want to try it again!! The currants look very solid and juicy.

 

embroidered currant branch next to embroidered wild rose in garden bouquet project

 

And that’s the berries over and done with!

The garden bouquet is starting to slowly resemble something at last. Woo! I hope you enjoyed this part, and I would love to know your thoughts in the comments. What do you think of the stumpwork idea? Have you ever tried something similar? How do you like to stitch your berries?

Stay tuned for Part 4 of this project, where we will tackle the lily. The majestic centerpiece of this piece, a flower amongst flower. I have an idea on how I want to make it, but will it work? It doesn’t involve a lot of thread… Can’t wait to see and share it with you all!

Thank you for following along on this journey, and be sure to connect with me on Instagram too for more progress pics & stitching reels!

 

Fondly,

embroidered berries garden bouquet part 3

Garden Bouquet Embroidery Part 2: Wild Roses

     Anne      Leave a Comment

Hello dear friend, and welcome to the second instalment of the Garden Bouquet project: the wild roses! (Click here for Part 1 if you missed it)

 

wild roses garden bouquet part 2

 

I’ve worked long and hard on this part, so I’m really excited to share it with you. We will be looking at the wild roses today! Roses are probably my favourite flower (although I kinda love any flower), and it was a real delight to bring these to life.

My plan from the beginning was to embroider the wild roses in needle-painting style using the long & short stitch. I knew they would probably take the longest to stitch out of all the elements in the bouquet, so I decided to do them first. They did indeed take forever. That’s the downside of needle-painting with one strand, but the results are worth it!

 

Here’s a little breakdown of all the threads I used for my wild roses:

thread key: branch DMC 898, Leaves DMC 3345, 3363, Brillanté d'Alger 594, Petals DMC 3805, 603, 605, 776, 778, 963, 225, Flower centers DMC 743, 744, 728, 729

 

Let’s Begin

 

First, I stitched the branches. That was the easiest part, I actually used two strands and took pretty big stitches. The blending is pretty careless, and it looks a little chunky in certain spots. This was (semi) intentional to give the branches a more natural look. I could have used more than one shade of brown to add more dimension, but decided to keep it simple and only used DMC #898.

embroidered branches long & short stitch

 

Next, I tackled the leaves, since they are more in the background than the flowers themselves. I also stitched them using long & short stitches, in a few different shades of green. Each leaf is fairly small so I knew the shading would be a bit tricky, but I think it turned out really well.

I started by outlining each petal with a split stitch, using one strand of green floss. Since the outline ends up being entirely covered, it doesn’t really matter which shade you pick. Ideally not the darkest (sometimes it can be seen through the stitches), unless the stitches covering the outline will be dark as well.

split stitch outline on leaf

 

Once the shape is outlined, I begin making long & short stitches in one shade of green to cover a certain area. Here I sometimes used two strands to go a little faster, but results are definitely nicer with only one strand. I planned in advance where I wanted the shade to hit my leaves, and which part of the leaves would require darker thread. Wild rose leaves have darker veins, so I knew the middle of my leaves would be darker.

long & short stitch first layer on leaf
second layer of shading on leaf
long & short stitch shading on rose leaf
finished leaf in long & short shading stitches

 

I also tried to create a jagged edge to each leaf to make them appear natural. Wild rose leaves have tiny little dark red thorns all around them, but I decided to just leave it at green since my leaves were very small. I created the jagged edge by ending stitches a little further than the splitstitched outline (usually stitches are evenly placed just outside that edge) and spacing them out.

finished leaf embroidered in long & short stitch

I used DMC #3363 and Brillanté d’Alger #594 to cover the leaves in long & short stitches, and then added a few more stitches in DMC #3345 to create the veins and add a bit more shadow as desired.

 

Here’s a look at the finished leaves:

 

finished cluster of wild rose leaves embroidered in long & short stitches
(little cluster of leaves situated behind a rose)
finished wild rose leaves in long & short stitch
(finished leaves against the rose branches on either side of the design)

 

The Roses

 

Once the branches and leaves were complete, it was finally time to stitch the rose flowers. They were hands-down the most time-consuming part of this entire project by a long shot, but I loved making them. Working with so many pinks was absolutely fantastic! Definitely a colour palette I really like.

I used the same approach as I did with the leaves. Splitstitch outline each petal first, then gradually fill with long & short stitches to create the needle-painting effect.

petal outline in split stitch

 

I played around with my different shades of pink a lot before deciding which ones I’d use, and how I’d use them. I had recourse to Trish Burr’s fabulous book Colour Confidence in Embroidery to help me out a bit. In particular, I observed and analyzed the shading in the French Rose project. It’s a red rose, but it gave me a good idea of where to place my lighter and darker shades.

I still experimented as I went along, and if you look closely at each finished flower you can easily see that they’re all different, and that most petals within the same flower are also different. The effect isn’t always very realistic, but for the purposes of the project, it works. 😊 I’ll be honest, I’m really no expert in long & short stitch. I’m still playing around with it, practicing, and learning how to do it better. But I must say I’m really pleased with how most of my petals turned out!

 

Here’s a look at how I fill a petal:

 

1. I decide which shades I want to use and in which order. I used seven different pinks to make my roses, but I didn’t use all shades in each petal. The gradients varied, as did the placement of lighter and darker shades.

2. In this case, I’m going dark to light. So I stitch the first layer in DMC #603. I like to make guidelines with my thread to keep the angle right, especially with a petal shape. The stitches are long and short, varying in length, creating a very uneven edge.

 

first layer of long & short stitch on wild rose petal
first layer of the long & short stitch on rose petal

 

3. Once the first layer is completed, I pick a slightly lighter colour (DMC #605) and begin to fill the second layer. I prefer to stitch from bottom to top, so I begin my stitch towards the base of the petal, and end it somewhere in the first layer. To create a beautiful blending effect, the idea is to end the stitches of a new layer well within the previous ones. In other words, I don’t end my stitches at the edge of the first layer, but higher, nestled among the stitches of the previous layer. Again, the length of these stitches shouldn’t be uniform. It looks more naturally blended if the stitches are of varying lengths.

I repeat these steps with as many colours as I wish. For this petal, I added a third and fourth layer, using DMC #776 and #963.

 

finished petal in long & short stitch shading

Doing this with only one strand of floss at a time is incredibly time-consuming, but it’s oh so lovely!

 

Here’s a look at a different wild rose, where I did the shading in the petals differently.

 

shaded wild rose petals in long & short stitch
The petal to the left was the very one I made, and I found it too pale. I tried something completely different for the one above it, where I placed the darkest shade closest to the center.

 

Wild Roses in progress…

embroidered wild roses in needle painting style

 

Rose Centers

 

Once all my petals were stitched, it was time to pick some joyful yellows for the centers. I went with DMC #728, #729, #743, and #744 (#729 is a little darker, a very light goldenish brown). I made straight stitches from the center to the petals using #743 and #744, leaving a very small circle in the middle (the center of the center, lol). In this little center, I used two strands of #743 to make three French knots, filling up the space. Still using only one strand of floss, I used DMC #728, #729, and #744 to make French knots scattered all around the outer edge of the center (at the base of the petals). As much as possible, I made them close to the end of the straight stitches.

yellow straight stitches to form wild rose center
french knots in the very center of the embroidered wild rose

 

Using only one strand of floss, I used DMC #728, #729, and #744 to make more French knots, scattered all around the outer edge of the center (at the base of the petals). As much as possible, I made them close to the end of the straight stitches.

finished embroidered wild rose
(this is the finished center of a different rose flower, because apparently I’m not very consistent with my photos, lol)

 

It really makes the rose come alive, doesn’t it?? I’m so happy with how that turned out, they almost look real!

The last little touch was adding little thorns along the branches. I used one strand of DMC #898 (same colour as the branch).

finished embroidered wild roses

 

And here we are! WILD ROSES COMPLETED!! WEEEE!!! (Sorry but this totally deserved some all caps squealing for joy :P)

 

completed branch of embroidered wild roses

 

I read in a book once that a rose by any other name would smell as sweet, but I’ve never been able to believe it. I don’t believe a rose would be as nice if it was called a thistle or a skunk cabbage.”

L.M. Montgomery, Anne of Green Gables

 

finished wild rose close-up

 

I hope you enjoyed following along and I can’t wait to show you Part 3! Raspberries and currants are up next! 😊

 

Other posts you might find useful:

 

And just in case you missed, here’s PART 1 of the Garden Bouquet project, all about the inspiration behind the pattern & setting up for stitching.

garden bouquet project part 1

 

Fondly,

garden bouquet embroidery: wild roses
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5 Inspiring Authors to Read Today

     Anne      2 Comments

Hello friend!

I thought I’d break up the Garden Bouquet project a bit (mainly because I don’t have much new progress to show hahaha!) and post about some inspiring authors this week! If you’ve been following the blog for a bit now, you probably know that I love books and get a lot of stitching inspiration from reading novels. If you’re new here, hello I’m Anne and I’m a bookaholic who loves embroidery. 😉 In any case, welcome to everyone! Today we’re having a lovely little tea party in which we will discuss 5 wonderful authors whose writing is inspiring. These authors craft beautiful worlds where you will want to lose yourself for hours, and emerge with new, fresh inspiration to live and create and find joy.

So pull up a chair, make yourself comfortable, and I will pour you a steaming cup of Earl Grey.

 

Literature inspiration - 5 authors you should read

 

**Click on any book title with a link to read the full review on Goodreads 🙂

 

1. Lucy Maud Montgomery

“There is so much in the world for us all if we only have the eyes to see it, and the heart to love it, and the hand to gather it to ourselves-so much in men and women, so much in art and literature, so much everywhere in which to delight, and for which to be thankful.”

Anne of the Island

 

stack of l.m. montgomery books with wild goldenrod

Of course, I simply must start this list of inspiring authors with the best of the best, the ultimate authority on all things inspiration – none other than L.M. Montgomery. Her books exude absolute beauty and loveliness. Have you ever read a book where each sentence was delightful? Each sentence somehow better than the next, so well-crafted yet never forced? That’s what Montgomery’s writing is like.

Descriptive, poetic, and yet utterly compelling in its simplicity, her writing flows naturally from page to page, transporting you to a time and place when life was simpler and people were happy. Famous for her beautiful descriptions of nature, Montgomery’s books are a complete delight to read and really make you want to learn to see and feel and appreciate nature for yourself (and perhaps attempt a line or two of poetry!). From giving imaginative names to places to describing nature in all its glory in a most loving way, the inspiration breathed into each of her books is endless.

paperback copies of Chronicles of Avonlea and Anne of the Island books surrounded by wildflowers and lace

Her stories are also filled with all the lovely little every day things that make us grateful to be alive. Baking pies, sewing a new dress, going for a walk over sun-drenched meadows, picking apples, the list goes on forever. Full of Edwardian charm and innocence, Montgomery’s books feature characters as endearing and loveable as her descriptions are, and I guarantee you’ll love it. There’s only one book of hers I haven’t liked as much as the others so far, but every single other one I’ve read was pure gold.

Aside from the most famous Anne of Green Gables series, other titles worthy of note include: The Blue Castle, The Doctor’s Sweetheart & Other Stories, and Chronicles of Avonlea.

 

2. Louisa May Alcott

“Have regular hours for work and play; make each day both useful and pleasant, and prove that you understand the worth of time by employing it well. Then youth will bring few regrets, and life will become a beautiful success.”

Little Women

 

hardcover copy of little women by alcott surrounded by queen anne's lace and pressed daisies

While we’re on the subject of all things simple and lovely, what could be more inspiring than Little Women? Not only does it have much to teach us in terms of life lessons, but who isn’t inspired to draw, or paint, or write, or sew, or launch their own theatre club with private mailbox after reading the book or watching the movie? Little Women makes me want to craft. To create. To Make Things. Also to find a sweet, loving husband, but that’s not the topic of this post 😉. It’s such an inspiring read for so many reasons, and makes me want to be productive and try new things just by following what the four heroines are up to.

open Little Women book with pressed daisies

Alcott definitely has a lovely writing style and I’ve enjoyed some of her short stories as well, but I find it’s really the subject matter and imparted bits of wisdom that make her writing inspiring. It makes you want to be better (and not just at crafts lol). Reading one of her stories really just makes you want to take action, and I love that.

The Quiet Little Woman is one of my favourites of her short stories so far. It was such a sweet story that brought tears of joy and sadness to my eyes.

 

3. Georgette Heyer

“It was growing late, and though one might stand on the brink of a deep chasm of disaster, one was still obliged to dress for dinner.”

April Lady

 

a few inspiring books by author georgette heyer

As much as I love L.M. Montgomery and Louisa May Alcott, the love I have for Georgette Heyer’s books is just not the same. Probably my favourite author ever, Heyer has been crowned Queen Supreme of the Regency romance novel for her hilariously sublime portrayal of Regency life. Historically accurate yet undeniably escapist, Heyer’s novels are the perfect blend of comedy of manner, romance, and adventure. Ranging from mad romps through London or Bath (as in Frederica or Bath Tangle), to the quiet countryside (Venetia), there’s something for everyone to delight in. Her witty dialogue is unparalleled, and I warn you, you will laugh out loud at certain passages. 😉

 

Historical Inspiration

 

When I first started reading Heyer’s books, I was really struck by the quantity of fascinating period detail she’d manage to weave through her stories. It never felt too much or too forced, it was just beautifully illustrated. You can see the glittering ballrooms, the fashionable dresses, the well-dressed gents as clearly as if you were looking at a painting. It’s amazing. And it never fails to provide ample historical sewing or needlework inspiration. One day, I will recreate Léonie’s presentation gown, or Frederica’s ball-gown for her sister’s come-out.

front cover of Georgette Heyer's Frederica surrounded by wildflowers

“With a Georgette Heyer you don’t buy a book, you buy a world. If its suits you, you settle down forever.”

Time Magazine

I haven’t read all her books yet (she wrote over 30 historical romances!), but I already have so many favourites!! All the ones previously mentioned are top favourites: Frederica, Bath Tangle, Venetia, and These Old Shades, in which Léonie appears. And there are so many more!!

 

4. Jen Turano

“’I can cry at the drop of a hat.’
‘You find hat-dropping distressful?’
‘If it’s a nice hat, and it has dropped in the mud, certainly. I could cry about that for days.'”

A Most Peculiar Circumstance

 

various books by inspiring author Jen Turano

Someone once described Jen Turano as the American Heyer, and she was so right! Jen Turano is a modern-day author who writes fabulously farcical comedies set during the American Gilded Age (often taking place in New York or other such places where socialites dwell). As with Heyer, you enter into a wonderfully glamorous world full of witty repartee and screwball comedy. Her books are much less accurate and plausible than Heyer’s though. The emphasis is really on fun and comedy. Little of what goes on in her novels actually reflects life in 1880 New York, but it’s endlessly diverting and the characters are absolutely charming.

book copy of A Match of Wits by Jen Turano

I’ll be honest, some of her books were a bit much for me sometimes, but I have such fond memories of the Ladies of Distinction series that I simply had to include her on this list! Even the books that I enjoyed less (usually because they were just a *tad* too silly, and I was probably in the mood for something more serious) still had that wonderfully escapist quality that I find so inspiring. If you’re into historical sewing recreation and you like Victorian-era fashions, Turano’s books are like a goldmine of inspiration. Think cascading bustles, elegant rows of buttons on bodices, and lacy parasols.

My favourite book so far is A Match of Wits, the fourth book in the Ladies of Distinction series, although the entire series is really good!

 

5. Laura Childs

“Pungent, orange-red Assams. Smoky, slightly sweet Ceylon teas. Fragrant Darjeelings from the steep slopes of the Himalayas. There were also sparkling emerald green teas from Japan, gyokos and senchas, that were a touch puckery and a bit of an acquired taste.”

Shades of Earl Grey

 

bookcover Death by Darjeeling by inspiring author Laura Childs on iPad surrounded by bone china teacups and wildflowers

And lastly, we will end this list of inspiring authors with Laura Childs, whom I just started reading last year. Specializing in cozy mysteries, Childs has written many murder mystery series, all of which have a theme. I’ve dabbled in her Tea Shop Mysteries, and they are so sweet and loveable! Those are perhaps not words one would associate with murder mysteries, but the Tea Shop books are as cozy as cozy can get! The puzzles are rather easy to solve, but the ride to the end is really fun, and filled to the brim with delicious tea tidbits, tea recipes, steaming tea pots, and pretty tea cups.

The stories are set in modern-day Charleston, South Carolina, and drip with loveliness, historic district charm, and all things tea. If pretty bone china, soft pastels, and dainty sandwiches are your aesthetic, you will love these books! The main character, Theodosia Browning, owns the Indigo Tea Shop, a picture-perfect spot that always ends up at the center of the action. Featuring delightful characters, intriguing mysteries, and endless cups of tea, these are the books to read for an ultimate cozy experience. As an added bonus, tea recipes are included at the end of each book!

bookcover of the English Breakfast Murder by inspiring author Laura Childs on iPad surrounded by bone china teacups and wildflowers

So put the kettle on, dust out your vintage tea set, and invite a friend or two to sample your freshly-baked lavender-laced scones. These books will get you inspired to bake and cook and drink lots and lots of tea, guaranteed!

I’ve read the first four books of the Tea Shop Mysteries so far and enjoyed them all, but I’d say Death by Darjeeling and Shades of Earl Grey were my favourites so far.

stack of books by inspiring author Georgette Heyer with bone china teacup and porcelain figurine of two lovers on a settee

 

Thank you for joining me!

I hope that between dreamy tea parties, Victorian fashions, Regency ballrooms, Louisa May Alcott’s wholesome portrayal of simple life, and Montgomery’s breathtaking nature descriptions, you will find a little something to inspire you! Whether it’s trying out something new or re-imagining something you already do, may the various inspiration from these authors bring you joy. I hope you enjoyed this post, and I’d love to hear your thoughts in the comments. Have you read any of the books I mentioned? Did you also find them inspiring? What other books/authors would be on your list of inspiring reads?

 

Happy reading my friends!

 

Fondly,

fresh inspiration - 5 authors to read
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